Winner of the jury award for best feature film at the Moorpark Film Festival. This is the story of one family's drama told in four interlaced segments from the perspective of four different characters. With each segment, the depth and intrigue of the story unfolds leading to an unexpected, but perfectly fitting conclusion. This is the very best of indie filmmaking.
Departure scaricare film
Join Artlist!$199/yrInspiring music for your films! Subscribe today for unlimited downlads.For full experience and secure Sing up Please log from a desktop Close Making Artlist even more secure for youArtlist is implementing a new system to keep your videos secure. Go to Library page and submit your video links so we can prevent them from ever being flagged or claimed.
I don't know if this film will ever get a proper official release with English subtitles (or dubbed)... I saw it on YouTube.My daughter and I are great fans of the series of classic manga books by Tezuka, so I was looking forward to this film. I am greatly disappointed.Gone is the wonderful humour of the manga. There is no trace either of the wonderful distinctive style of Tezuka's drawings... this looks just like a thousand other bland anime movies. This is a movie which takes itself far too seriously. The Hollywood-style music is all sentimental swells and saccharine excess.If you enjoyed the deep aspects of the mangas' introduction to the life of the Buddha and to Buddhist teaching... if you enjoyed the original quirky fun and great simple storytelling of the books - then avoid this film like the plague!!Luckily the books are still available in English translation and are a great read for child and adult alike. Go for it!
If you're a horror movie aficionado, you've likely heard of the box office and critical hit Train to Busan. The Gong Woo-led movie follows a group of travelers fighting for their lives aboard a zombie-infested high-speed train hurtling to one of the last safe places in the country. The film's powerful class commentary shows the benefit of taking collective action over prioritizing individual survival. Critics pointed out how the movie may be a response to the Sewol ferry disaster of 2014 that left 300 dead, including around 250 teenagers.
Your day begins with a shuttle to Lake Nahuel Huapi. From there, you'll set sail on a ferry and view Bariloche's surrounding area from a different perspective as you float towards the Quetrihué Peninsula. Upon docking we'll walk a wooded path through Arrayanes National Park and some of the most pristine myrtle in South America. In the 1970's, this 300-year-old myrtle stand was awarded special protection under the Argentine government. Local legend has it that Walt Disney walked through this forest in the late 1930's and it inspired his choice for Bambi's cinnamon color as well as the film's setting. Our hike will take between 3 and 4 hours.
Our tour ends after breakfast this morning. We'll offer a shuttle, or you can take a taxi to the airport in Puerto Montt which is less than a half-hour away for those who are flying home. If you need to return to Bariloche, we recommend transferring across Todos los Santos Lake. This trip has daily departures and the bus leaves just one hundred meters from our hotel! It is a beautiful and relaxing boat and bus trip and you'll arrive in Bariloche in time for a late dinner. Whatever your plans, buen viaje.***Extend this bicycle tour by 3 days. Visit our Bicycling Patagonia's Lakes District Plus! the Island of Chiloé bicycle tour.***
Note: As you are planning, remember that the hotels listed in our itineraries are our primary hotels and are - in rare cases - subject to change. Before you make arrangements, check with us if your tour departure is guaranteed. If your tour departure is out further than 6 months, please also check with us as there might be slight changes to the itinerary.
In We Were Soldiers, director-writer Randall Wallace takes a stark look at the human side of the war in Vietnam. Told through the eyes of Lt. Colonel Hal Moore (Mel Gibson), the film's story focuses on the first major battle of the war—the ambush in the Ia Drang Valley (where 400 U.S. soldiers were surrounded by 2,000 enemy troops). Re-teaming with Wallace to provide emotional underscore for this film is composer Nick Glennie-Smith.Glennie-Smith's score for the most part succeeds as the emotional backbone to the film. There is very little "action music" to speak of, but plenty of dramatic suspense. The main heroic theme (an original song called "The Mansions of the Lord") is used throughout the score underpinning the more poignant moments. There are other themes as well, the primary dramatic one evoking memories of Hans Zimmer's scores to The Thin Red Line and Pearl Harbor. That is, they're certainly in the same corner of the room. But at no point did I get bored while listening to this album. "Look Around You" is a lengthy cue that builds up over time, and succeeds in provoking an emotional response. There are also some atmospheric cues that use (what sounds like) Tibetan throat singers ("NVA Base Camp") and it's truly creepy stuff—it will mostcertainly set you on edge.I can't stand track titles that give things away, but "Jack'sDeath" is a wonderful cue that pretty much captures in a short length of time, the somber tone of the entire score. War is hell, and there's nothing pretty or happy about it. "Final Battle" has a bit of a driving rhythm with some almost Middle-Eastern sounding motifs, and while it sounds great, it's just a bit too similar to bits of Black Hawk Down for my liking. Nonetheless, if you get into the music, you really won't care what it sounds like. Also showing up in a few tracks is a rather creepy rendition of "Sgt. MacKenzie" performed by Joseph Kilna MacKenzie. It's hard to describe—you have to hear it to understand. But it's both disturbing and wonderful at the same time."End Credits" contains a full choral version of "TheMansions of the Lord," and I swear that if I didn't read the liner notes carefully, I would have sworn that this was some traditional military hymn—it's just that good. This album runs just under an hour in length. It might not sound like the most original score of the year, but Glennie-Smith has done a stand-out job in providing an emotionally satisfying and moving score.more reviews by Dan GoldwasserRate this AlbumClick starsto rate.Missing Information?If any information appears to be missing from this page, contact us and let us know!
This section provides a list of selected Buddhist films and documentaries. The links will take you to the producer website or IMDb (online database for films). For viewing, please access the films through streaming platforms, such as YouTube TV, Amazon, Neflix, or Kanopy (free for the Stanford community with your SUNet ID or through your public library or university). This section is a work in progress and is not exhaustive. We welcome suggestions. Please email: buddhiststudies [at] stanford.edu.
Home is a French documentary film by photographer Yann Arthus-Bertrand, famous for its aerial photography around the world. The film is almost entirely composed of aerial shots of various places on Earth, with some spectacular shots of impactful places in all continents. It shows the contract between the wild and the overexploited, such as the intensive agriculture and the growing cities. The film was released simultaneously in 181 countries and is narrated from the perspective of the Earth: both the message and the beauty of the shots make it a must-watch.
Mountain is an Australian documentary film that was premiered at the Sydney Opera House in 2017. It explores high summits around the planet while telling the relationship between humans and mountains across time. An award-winning film, Mountain is narrated by actor Willem Dafoe and features some exceptional footage of some epic landscapes with an incredible soundtrack played by the Australian Chamber Orchestra.
In this mesmerizing documentary crafted entirely from WWII archival footage, Ukrainian-raised filmmaker Sergei Loznitsa (Donbass) mounts a harrowing critique of the killing of civilian populations during war-time.
Playing a fictionalized version of himself, director Jafar Panahi, barred from leaving Iran, remotely supervises a film shoot in this meta-textual reflection on freedom, oppression, and cinema itself.
Production listings as of June 2022 suggest that the series will begin filming in July 2022 but not wrap up until at least March 2023 (this is longer than the November 2022 wrap date we previously reported). Thanks to some recent promotional material reveal we can 100% confirm filming is underway. 2ff7e9595c
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